Eight primary factors that determine the newsworthiness
of a potential story:
1. Impact:
The significance, importance, or consequence of an event or trend; the greater
the consequence, and the larger the number of people for whom an event is
important the greater the newsworthiness.
2. Timeliness:
The more recent, the more newsworthy. In some cases, timeliness is relative. An
event may have occurred in the past but only have been learned about recently.
3. Prominence:
Occurrences featuring well-know individuals or institutions are newsworthy.
Well-knowingness may spring either from the power the person or institution
possess – the president, the Speaker of the House of Representatives – or from
celebrity – the late Princess Diana or fashion designer Gianni Versace.
4. Proximity:
Closeness of the occurrence to the audience may be gauged either
geographically
– close by events, all other things being equal, are more important than
distant ones – or in terms of the assumed values, interest and expectations of
the news audience.
5. The Bizarre:
The unusual, unorthodox, or unexpected attracts attention. Boxer Mike Tyson’s
disqualification for biting off a piece of Evander Holyfield’s ear moves the
story from the sports pages and the end of a newscast t the front pages and the
top of the newscast.
6. Conflict:
Controversy and open clashes are newsworthy, inviting attention on their own,
almost regardless of what the conflict is over. Conflict reveals underlying
causes of disagreement between individuals and institutions in a society.
7. Currency:
Occasionally something becomes an idea whose time has come. The matter assumes
a life of its own and for a time assumes momentum in news reportage.
8. Human Interest:
Those stories that have more of an entertainment factor versus any of the above
- not that some of the other news values cannot have an entertainment value.
There
are essentially three origins for a story:
Naturally occurring "events" such as
disasters, floods, earthquakes, fires, and airline crashes are inherently
unpredictable and journalists must respond after the fact. News stories about
disasters follow a predictable pattern: early reports, which frequently over
estimate the severity of the disaster, rely on everyday people, because they’re
frequently the only witnesses; later stories, assuming the story is newsworthy
enough to become developing news over several days, tend to rely on officials –
mayors and governors, insurance company representatives, disaster relief agency
officials. This is a way the news becomes routinized.
Created
and "subsidized" news is more frequent than unpredicted news. It
occurs because a person, group or organization either does something public and
newsworthy and/or seeks press attention. Public relations practitioners
participate in the process of news making.
"Enterprise" news is made when journalists act rather than
react as they do in a disaster or tragedy. This is called enterprise news
because the editor or reporter takes the initiative on a story. These can
develop from beat coverage and investigative journalism.
Source: Internet
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